John Godber became Hull Truck’s artistic
director in 1984, since when the company has grown
to be one of the best contemporary theatre groups
in Britain. John is the third most performed British
playwright after Shakespeare and Ayckbourn. His
writing is strong and direct, as well as totally
unique, and as often as not drawn from personal
experience. Whether the experience is incidental,
from the living of his life, or an experience knowingly
entered into by way of research for a play in embryo,
all of John’s work is suffused with the flavour
of his Yorkshire roots, of which he is very proud.
When a playwright is directing his
own material, it can be difficult to separate and
analyse the
quality of the direction from the essence of the
work itself. When Godber directs the work of others,
we see a true craftsman in action. He has the ability
to give an established play new legs without altering
its basic structure, to somehow make it work on
many new levels. He does this even with his own
masterworks, notably Bouncers and Teechers. But
with these he goes further. Rarely satisfied with
a straight bringback, he will rework scene after
scene, often adding topicality by inserting material
from news of the day, revisiting in the safe knowledge
that his vintage script is untarnished by this
action. No other playwrights would dare to do this
to their babies.
John Godber’s sharp observations of language
and behaviour often bring us wonderfully surreal
lines, such as in the opening moments of Bouncers….”All
human life is here…it’s a midnight
circus”… pure Godber..
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